“Oh, don’t come the kid,” advised Flossie. “If you don’t mind being talked about yourself, you might think of him. If Carleton gets hold of it, he’s done for.” She did not see him again that night. They met in the morning at breakfast. A curious strangeness to each other seemed to have grown up between them, as if they had known one another long ago, and had half forgotten. When they had finished she rose to leave; but he asked her to stop, and, after the table had been cleared, he walked up and down the room, while she sat sideways on the window seat from where she could watch the little ships moving to and fro across the horizon, like painted figures in a show.!

“But they’re frightened of me,” he added, with a shrug of his broad shoulders, “and I don’t seem to know how to tackle them.” Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.

The other was a young priest. He wore the regulation Red Cross uniform, but kept his cassock hanging on a peg behind his bed. He had pretty frequent occasion to take it down. These small emergency hospitals, within range of the guns, were reserved for only dangerous cases: men whose wounds would not permit of their being carried further; and there never was much more than a sporting chance of saving them. They were always glad to find there was a priest among the staff. Often it was the first question they would ask on being lifted out of the ambulance. Even those who professed to no religion seemed comforted by the idea. He went by the title of “Monsieur le Prêtre:” Joan never learned his name. It was he who had laid out the little cemetery on the opposite side of the village street. It had once been an orchard, and some of the trees were still standing. In the centre, rising out of a pile of rockwork, he had placed a crucifix that had been found upon the roadside and had surrounded it with flowers. It formed the one bright spot of colour in the village; and at night time, when all other sounds were hushed, the iron wreaths upon its little crosses, swaying against one another in the wind, would make a low, clear, tinkling music. Joan would sometimes lie awake listening to it. In some way she could not explain it always brought the thought of children to her mind. They remained confused in her memory, these talks among the wounded men in the low, dimly lighted hut that had become her world. At times it was but two men speaking to one another in whispers, at others every creaking bed would be drawn into the argument. It was only the intellectual part of him she wanted—the spirit, not the man. She would be taking nothing away from the woman, nothing that had ever belonged to her. All the rest of him: his home life, the benefits that would come to her from his improved means, from his social position: all that the woman had ever known or cared for in him would still be hers. He would still remain to her the kind husband and father. What more was the woman capable of understanding? What more had she any right to demand?